Showing posts with label stretching canvas and paintings. Show all posts
Showing posts with label stretching canvas and paintings. Show all posts

Monday, 18 March 2013

A Happy Day Stretching Canvases


Fabio the Peacock, who has taken up residence in the garden of the farm where my studio is, decided to come up and display outside while I was working and listening to Tom McRae!


My amazing family have bought me a really good pair of canvas pliers for stretching my paintings and canvas. And I was allowed to have them now, an early birthday present, because I need them to prepare for my show.   I read carefully the article I mentioned previously about stretching canvas and decided to give this new method a go.  

http://www.goldenpaints.com/justpaint/jp17article1.php

We are all taught at college to stretch canvas from the middle of each side out towards the corners and to fix the corners last.  James Bernstein explains that to do it this way causes stress at the corners that leads, over time, to damage of the paint surface and bagging of the canvas, which does the same.

So I resolved to give it a try: I had my thumb tacks, canvas pliers, polypropylene tape, stretchers, unprimed canvas and a finished painting at the ready.

I decided it would be prudent to begin with the unprimed canvas to try the method out, rather than risk damaging the completed painting.  I adapted the method described in the article, because the canvases are so large and I was working on my own.




Carefully lay out the stretcher onto the canvas.



Making sure the stretcher is square to the grain of the canvas.  Pin with thumb tacks in the middle of each side, and at even points, just to hold it in place while you start to staple it in place from the corners.  Cut some tape a bit longer than each side, to allow some slack while stapling it down.



Starting at the corners, (I numbered them so I could work with diagonally opposite corners in rotation without forgetting which corner was which!)   Fold the corners neatly, thumb tack in place and when happy, staple them down through the tape, which protects the canvas threads from being cut by the staples.



Work methodically out from each corner in turn, towards the center of each side, stapling through the tape.  I allowed some slack with the tape for ease of movement, which I then cut at the center and trimmed to fit .  It should be noted that staples need to be placed at about 1 1/2" intervals to prevent any bagging, so if you are going to try this method, make sure you buy plenty!


Result!  A tightly stretched canvas, propped up in the only space available, across the doorway!  It has had one good coat of gesso, thoroughly worked into the grain of the fabric; I will give it another coat tomorrow, before I start work on the actual painting.  

So, having successfully stretched a blank canvas, it was then time to remove the completed painting that was stapled to the wall and to repeat the process.  I managed to remove the painting without too much trouble; my new staple remover helped to make this stage of the operation stress free.  Taking the canvas off the wall was a little tricky on my own, but I managed, with help from some strong masking tape to hold the canvas for a few seconds while I removed the last staples supporting it on the wall.   I transferred the painting from the wall, onto the plastic on the floor without creasing it, which was a minor miracle, I thought.


Then it was time to repeat the whole process with the painting.  (The white shape against History Painting is a piece of polystyrene that I used to buffer the stretcher while it rested against it, once I'd checked it was square.)


They don't look like much, but these canvas pliers worked like a dream and made it possible to get the canvas really tight.  You can see my corners numbered clearly in this pic!


The stretched painting, on its side because I couldn't maneuver it upright between the rafters on my own.  I was amazed at how I managed to get it stretched so tightly and how good it looks.

The staples I used are heavy duty 6mm, type 4/11/140 if anyone reading this is interested.  I didn't want to use any that were too long, that would drive too far into the stretcher and risk cutting the threads of the canvas.  I figured that using so many quite close together, they would be long enough to do the job.  I used all the ones I had today, so have just ordered some more for when we stretch History Painting at the gallery next week.

I ache all over from being on my knees all day, it took me from just after 12, until 5.40pm with only a short break for lunch, but it is worth it!  




Content copyright the artist, all rights reserved.





Monday, 11 March 2013

The Count Down Begins . . .



Gearing up to my show now and am a bit behind because I have not even started the large canvas I had planned!  However, I have more than enough work to fill the space so the pressure is all self generated.  For the sake of symmetry, I had envisaged 2 large canvases opposite each other and adjacent to the large History Painting.  I'll see what I can manage . . . .   

Jobs to complete before 26th:

  • Framing of final drawings I won't use them all I'm sure, but it's good to have a choice during the hang and they'll be ready for other venues.
  • Order postcards.  This depends on the quality of the ones I have ordered for publicity using the poster design:

Sorry this is a bit distorted: I tried downloading the pdf but for some reason it kept squashing it into a square, which was even worse so I ended up taking a photo of it!

  • Order stretcher for History Painting: I need to check that the measurements we took allow enough canvas around the margins for stretching the painting up.  I think I have, but I am stressing!
  • Deconstruct two of my old stretchers that never got used, take them to the studio and reconstruct them, ready for stretching up the new large paintings.  As I said above, I am hoping there will be two!
  • Buy some new canvas pliers, can't find mine and they weren't all that good.
  • Buy a good staple removing gizmo.  Buy some narrow packaging webbing and some metal pins for stretching the paintings.  (I'll explain why I need these later.)
  • Carefully remove History Painting and the other large canvas from the wall.  Roll History Painting onto a carpet roll as it is too large for the van I am hoping to hire: (I do make life difficult for myself!  We will stretch it up in the gallery)  Stretch up the finished large canvas using the method I have found on the internet.  Stretch up, prime and paint the new canvas.
  • Pack all the work ready for transportation on 26th.
While I was looking on line for some new canvas pliers for stretching up my paintings, I found a very interesting article written by James Bernstein, explaining why the best way to stretch a canvas is NOT as we all were taught, to start in the middle of each side and work outwards to the corners, but to mark up the canvas to make sure it is square, pin the middles of each side to keep canvas in the right place and then to begin stretching FROM THE CORNERS TOWARDS THE MIDDLES !!! This does go against everything I was taught but the explanation is totally reasonable so I am going to give it a go.  I do realise that my really large canvases are going to be difficult to work on though. . . 

Take a look at the article it is really interesting:
http://www.goldenpaints.com/justpaint/jp17article1.php  I use Golden Acrylics, and this company has some really good tutorials online.

It is in this article where I discovered I needed some polypropylene packaging tape and aluminuim push pins.  The pins are for setting out and placing the canvas on the stretcher before stapling and the tape is for placing onto the canvas to protect it from being cut by the staples and it also helps in the awful job of removing staples if a canvas has to be re-stretched, which will be the case with History Painting as it is so large I am going to have to store it rolled onto a carpet roll.

Worked on History Painting again today; it still needs more work but I think I'll be able to pull it off!  

I did adjust the measurements for the stretcher so I shall be able to order it tomorrow.  Before I went to the studio I dropped the drawings that need framing into Anthony Bentley and I gave him an invitation plus some for his shop.  They were delivered a day early, which was great.  http://www.printed.com  is the company I used.  The problem is, they don't use jpegs, which is what I have for all my other images and my IT skills are not up to converting images.  Sigh.

I have reconstructed the stretchers but for some reason one diagonal is longer than the other on both of them, which means they aren't square.  How can this be, when they are all knocked into place with the cross bars?  Any suggestions anyone?  Until I get them square, I can't stretch the canvas onto one of them for the new painting or the finished painting onto the other.

This post has too many words and not enough pictures!  Oh and we had snow again today.